TRENDING
With the traumatic experiences Asians have had to go through within Western communities, particularly heightened during the pandemic, comedy is indeed an effective mechanism to shrug these everyday offences off as light-hearted jokes and unite the Asian community.
I always liked to visit places that you’re not getting news from – stories that aren’t in the headlines but should be. I want to tell you about the big stories that we’re not hearing enough about.
Some call the Vieux Carré a variant of the Manhattan. That’s like saying a Porsche 356 is a variant of the Model A.
2020 has significantly changed the way we experience pop culture through films because lockdown has further weakened cinematic performance and indirectly empowered online video streaming platforms, like Netflix, to have power in shaping who we are based on the content they create.
With the traumatic experiences Asians have had to go through within Western communities, particularly heightened during the pandemic, comedy is indeed an effective mechanism to shrug these everyday offences off as light-hearted jokes and unite the Asian community.
Some call the Vieux Carré a variant of the Manhattan. That’s like saying a Porsche 356 is a variant of the Model A.
2020 has significantly changed the way we experience pop culture through films because lockdown has further weakened cinematic performance and indirectly empowered online video streaming platforms, like Netflix, to have power in shaping who we are based on the content they create.
I always liked to visit places that you’re not getting news from – stories that aren’t in the headlines but should be. I want to tell you about the big stories that we’re not hearing enough about.
Athletes have long been involved in activism which helped deliver change during critical moments in modern-day history.
What used to be some select few audiences of a rather niche club, driven by vintage aesthetics of pre-loved books, records of forgotten bands and retro-chic clothing, the thrifting culture has now broadened its boundaries.
The closure of every West End production brought about massive unemployment experienced across a range of industries.
The ego boosts were as welcome as always, and even the conversations that would have been abandoned under the “usual” circumstances were temporarily indulged – we were more amenable to “intrusions” when there was a “rule of six” limiting socialisation.
Maybe we should start working on our resumes from kindergarten just to have a chance of joining the hustle wave.